







It is not too risky to venture that the aesthetics of the body in art denounces the social state of a time and anticipates the
advent of new socio-political resolutions; the most fears
deep, the desires to explore, the dogmas that dominate, the
new theologies to be erected. Bodies repressed, chained, disciplined, silenced, hidden, condemned; open, liberated, anarchist, strident, discovered, acquitted bodies. The limit
between the obscene and the sublime, the ribald and the arrogant, the lascivious and
the exquisite, the pornographic and the erotic, the impudent and the sensual,
is so evanescent in art, that it depends on the narrative encounter
of the demons and divinities that inhabit the experiences of the
artist and spectator, in their witnessing of the body.